Think You Know Bristol? Come Over To The Dark Side With Nightwalks

  1. Teens walking by river

    Source: www.inbetweentime.co.uk

  2. When’s the last time you took a walk with a stranger at night? Sounds spooky, I know… but what if that stranger was a young person wanting to show you their slice of your city? That’s what Canadian-born art project Nightwalks is all about… 
  3. Taking you to places you might see every day (but you’ll never see in the same light again), art project Nightwalks visits Bristol over the weekend of 13th February as part of In Between Time Festival. With the aim of getting both teenagers and an adult audience out of the house as darkness falls, the project gets Bristol’s teens chatting about what their city means to them as they play tour guide for the night. It’s hierarchy-bashing, gutsy and an indisputable equaliser when age barriers so much of our everyday.
  4. We caught up with the creator of Nightwalks, Darren O’Donnell, to talk cities, social segregation, and challenging prejudice by walking, talking, and then walking some more.
  5. Where did Nightwalks start? What prompted you to start this project?

Between 2007-2010, I did a lot of projects in the neighbourhood I share with youth we’ve been working with since 2005. Often these would be at night and I would walk the young people home. I was surprised that they would all vie to be the last to be dropped off. It contradicted everything I had heard about ‘kids these days’ and their lack of interest in physical activities, their attachment to various screens (TV, computer, mobile, tablet, etc). These kids wanted to stay out late and wander around their neighbourhood. This was again reinforced on one occasion in particular when I took a bunch of teens downtown to check out a work by Ballet C de la B and, again, they insisted on walking the many kilometres back to their neighbourhood, enjoying the vibrant streets of downtown Toronto.

 Being young and walking at night in the company of adults who are not disciplinarians, not authority figures provides the best of a couple of worlds: freedom and safety.

Just last week, in fact, the same thing happened, but I wasn’t surprised since walking large distances has become the norm with us. It was clear why they wanted to be the last to be dropped off and why they insisted on walking great distances: it’s fun. Being young and walking at night in the company of adults who are not disciplinarians, not authority figures provides the best of a couple of worlds: freedom and safety. It allowed the young people to just dip their toes into a bit of autonomy without taking a big risk, knowing that, worst case scenario, there was an adult there to navigate any problems and pile us all onto transit, if need be.

Teens on a jaunt around Toronto

Source: www.arnolfini.org.uk

What do you think young people get out of the project?

They will feel the city in a different way, they will be in the city in a different way, they get to socialise in a different way. As I mentioned above, a big part of it is freedom, but the other part is sharing a casual social space with adults who they do not know. This is a completely unusual dynamic in our paranoid societies and it’s a dynamic that a lot of young people love.

This is a completely unusual dynamic in our paranoid societies

It’s fun for them to socialise with adults who do not treat them like children, who are genuinely interested in their points of view and anyone who understands this as performance will tend to be a person who respects the young people as people. Generally when unknown adults interact with young people in a deep way, it’s usually to tell them to move along, or question what they’re doing. This kind of social dynamic – as utterly ridiculously simple as it might be – is completely unusual.

  1. Why young people? What do you think they offer to the experience?

Our societies segregate young and old and only allow them to socialise under very strict and highly scrutinised circumstances. This project provides something different, something very unusual, yet something that feels completely natural.

…it feels like it’s something that is missing

In fact, in my mind, it feels like it’s something that is missing. They don’t offer anything but their presence as ordinary people, who have been segregated from the majority of the population.

  What do you think the effects on the adult participants might be?

In my experience with past presentations, it’s a surprisingly relaxed night (pray for good weather), that introduces an unusual social ontology – a different way of being in the world. It opens up a little window into alternative possibilities and leaves profound questions in its wake: how can we make things like this happen more regularly? What are we so scared of? Is that fear reasonable? How can we create events like this, and keep them safe (believe me, it’s not rocket science)?

Wanna go on a tour? Us too. Here’s more info. You can also totally be a tour guide if you’re from South Bristol, are 15-17-years-old-ish and would like to gain some awesome skills at an international festival and collaborate with some cool kids from Canada. Get in touch with KWMC here. Chat to us too, we like that. We’re on Twitter and Facebook

Support more young people to have their voices heard

Rife is Watershed‘s online magazine created for young people, by young people.

We offer paid internships and publish work by young writers, photographers, illustrators, and filmmakers from all sorts of backgrounds, helping them get into creative careers. Rife has reached over 8,000 young people through our workshops, over 220 young people have made stuff for Rife on topics ranging from mental health to identity to baked beans, and last year, over 200,000 people visited our website.

In these complex and uncertain times hearing from and supporting young people who are advocating for social change and contributing fresh perspectives has never been so important. 

Through supporting Rife you can ensure that this important work continues and that more young people have their voices heard.